Recent Posts

Ben Folds review – generous, intimate and occasionally rambling

There are gigs, and then there are small pilgrimages. On Saturday night at the Anita’s Theatre in Thirroul, Ben Folds delivered the latter: a solo show that felt less like a concert and more like being invited into the lounge room of a man who has spent three decades...

Nilüfer Yanya review – dynamic buildups and cathartic releases

If fashion choices are any indicator, Nilüfer Yanya's fanbase is a broad church. At the London musician's first show in Melbourne/Naarm in over six years, scraggly haired rockers rubbed shoulders with young folks in tank tops and low-rise jeans and indie heads in...

Here are the playing times for Golden Plains 2026

The playing times are here for the 18th edition of Golden Plains, which is happening at the Nolan family farm on Wadawurrung Country, between Ballarat and Geelong, from Saturday 7 to Monday 9 March. READ: Meredith Music Festival review – the full spectrum of emotions...

A celebration of humanity and its multitudinous voices and stories

The MSO took a departure from the classical world for Sonder, a collaboration with the Find Your Voice Collective at Sidney Myer Music Bowl. The Melbourne Symphony Orchestra's annual free concert series has been bringing music to the people in an open-air setting for...

The soft glow of Maria Somerville’s Luster

Growing up in a geographically remote or culturally static region can be a lonely experience. Ideas, adventure and romance feel painfully out of reach, and the city beckons as somewhere to go and become something, invent many new selves, and find your people. Once the...

Alex G review – two titanic hours of chaos

Alex G is one of those rare artists who began his career on the outskirts of culture and then watched as the culture slowly inched closer towards him. The fact that he now regularly goes viral on TikTok, and that his show at the Sydney Opera House was populated with...

The Necks: mad harmony and tortuous invention

“I’m after whatever is lurking beyond thought,” wrote Clarice Lispector in Água Viva. “No use trying to pin me down: I simply slip away and won’t allow it, no label will stick.” These words, spoken by the nameless narrator in Lispector’s 1973 masterpiece, could be a...

Nick Cave at the Domain – a towering, career-defining show

Much has been written of Nick Cave’s shift from Old Testament lyric-writing to depicting the principles of the kinder, gentler God of the New Testament – a gradual move away from the fire, fury and pestilence of an album like Tender Prey, to the gentle soul-shattering...

The best Australian music of 2025 (continued)

Music. It's everywhere. It's playing in your headphones when you're crossing a busy road. When you're sitting on the bus. When you're in the shower. It's on at the chemist, the supermarket, the op shop. There's a DJ at the day spa. A subwoofer in the cafe. Playlists...

If Atarashii Gakko! say jump, I’ll say how high

Fewer than 48 hours after their midnight slot at Meredith, Atarashii Gakko!’s performance at the festival was already the stuff of legend. Shortly before they came on, my friend Luke, who was taking photos at Meredith for Check Check, asked me if he should photograph...