Dallas Woods and Angus Field of Indigenous hip hop outfit 3% talk to Check Check about making music with fierce intent.
3%’s Dallas Woods and Angus Field: “This is what we want to be remembered for”
read more
THE BLSSM’s Lily Lizotte on PUPPY BREATH and making music with their dad: “We’re creative soulmates”
Lily Lizotte, aka THE BLSSM, chats to Check Check about their new EP, PUPPY BREATH, and working with their dad, Mark Lizotte.
Forest Claudette: “It’s important that I stand for something”
Forest Claudette reflects on the process of self-discovery and empowerment that influenced their latest EP, Jupiter.
Recent Posts
The Drones review – a fiery return from one of the best bands in the country
It’s a curious cultural cringe that makes Australia afraid to celebrate its creative heroes. Curious, and deeply boring. We endlessly proselytise about America and England’s art-punk icons: the likes of Lou Reed and Robert Smith are as revered on these shores as they...
Lim Orion rebels against relational neglect by dancing on the furniture
Lim Orion channels Japanese folklore and 90s alt-rock on Futon, the third single released from forthcoming album Ilk. The hefty power chords in the chorus might resemble something off Silverchair’s Neon Ballroom, but Futon is no garden variety bit of grunge nostalgia....
The Drones review – menaced, dirgy rock’n’roll at Melbourne comeback show
The return of The Drones has caused a minor but genuine frenzy. What was originally intended as a "six show run for fun" has ballooned into an 18-stop tour plus festival appearances in Darwin and Wollongong. The Aus rock nostalgia circuit is a bloated field, but the...
Massive Attack review – an arena-sized version of doomscrolling
No one was moving or dancing really, and very few people even had their phones out to film – perhaps out of guilt as they watched so many images of the world ending. Massive Attack’s 2010 tour of Australia occupies a special place in the memory of anyone who attended...
Day Tripper review – performances by Kae Tempest and Chanel Beads make for an emotional winter’s afternoon
I’ve been going to Rising’s Day Tripper festival since its launch in 2024. The lineups have all featured a mix of hyped indie acts, cult favourites, genre veterans and a few sprouting locals. But what characterises the Day Tripper programming is a general disregard...
Seun Kuti & Egypt 80 review – joy reigns supreme at Hamer Hall
A few months ago, my friend Penny recommended me the Fela Kuti podcast, Fear No Man, a 12-episode series that looks at how the Nigerian Afrobeat icon backed up his claim that “music is the weapon of the future.” During the 1970s and 80s, Fela made music designed to...
Cate Le Bon review – skin shedding and renewal at Melbourne Town Hall
The morning after Cate Le Bon’s gig at Melbourne Town Hall, I was flicking through the digital version of Brian Eno’s Oblique Strategies card deck. There was one card that seemed to neatly sum up Le Bon’s latest album, Michelangelo Dying, songs from which accounted...
Sparks review – beloved songs from beloved strange brothers
Sparks' performance at Melbourne's Palais Theatre was like a Reader's Digest of the Mael brothers' long and discursive career, with a few unexpected picks. I recently spoke to Sparks keyboardist and songwriter, Ron Mael, who is now 80 years old. I asked him whether he...
Sparks review – more energised, more extraordinary than ever
For all their constant reinventions and subversions, the secret weapon of art pop duo Sparks has always been their sly but deep sincerity. Yes, brothers Russell and Ron Mael have songs with titles like “Dicking Around” and “Running up a Tab at the Hotel for the Fab,”...
A dance on a farm for Butter Sessions’ 15th birthday
Choose love. Sang wrote this on my left hand on Thursday afternoon. It washed off in the shower on Friday morning, but I retraced it before going to Butter Sessions' 15th birthday party later that day. It was Good Friday and Butter Sessions had curated an afternoon...